arts and design

Mars decor, stunning psychedelia and the hound of Hades – the week in art

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Exhibition of the week

Moving to Mars
Can humanity find a new home on Mars? That provocative sci-fi solution to our woes is explored in this glimpse of a possible future.
Design Museum, London, 18 October to 23 February.

Also showing

Bridget Riley
Electrifying works of psychedelic genius by the greatest British abstract artist since JMW Turner.
Hayward Gallery, London, 23 October to 26 January.

Elizabeth Price
Melancholy histories by a truly powerful video artist and deserving Turner prize-winner.
Whitworth Art Gallery, Manchester, 25 October to 1 March.

Albert Oehlen
Spookily ambiguous daubs by one of Germany’s inexhaustible supply of brilliant modern painters.
Serpentine Gallery, London, until 12 January.

Mark Bradford
Cerberus, the monster dog of Hades in Greek myth, is the sinister inspiration for LA artist Bradford’s new abstract paintings.
Hauser & Wirth, London, until 21 December.

Image of the week

Faith Ringgold.



Photograph: Jonathan Muzikar/© 2018 MoMA, NY

Faith Ringgold’s visceral painting, American People Series #20: Die’, forms part of a major “rebalancing” project at New York’s Museum of Modern Art that has massively boosted work by women and artists of colour. Read the full story

What we learned

New York’s MoMA unveiled its inclusive rehang

More than 200 English sites have been added to the Heritage at Risk register

The Pre-Raphaelite Brotherhood had sisters too

The Paris art scene is getting a Brexit boost

… and the Vitruvian Man can go see for himself

Tokyo showed off its brand new Olympic venues

David LaChapelle went all the way to Hawaii for coffee

Carlton Ward snapped a panther in Florida – and triggered a rescue mission

Norwich’s Stirling prize-winning estate may have to restrict visitors

America’s neon signs need to be saved

David Hockney was confident from the start

Norwich city council want to show the world around Goldsmith Street

Leeds’ industrial glory has been immortalised in a comic strip

Haus of Dizzy has brought a new meaning to ‘statement earrings’

Howard Grey’s Windrush portraits lay undeveloped for 50 years

A Frank Lloyd Wright house in Phoenix has sold

The winners of the Female in Focus awards were announced

We took a closer look at London transport’s seats

Australia’s $150,000 Doug Moran portrait prize unveiled its finalists

… as Sydney’s Museum of Contemporary Art got the feng shui treatment

Elizabeth Peyton reminded us how the 90s looked

Historians pinned down a new Iwo Jima hero

Naked women would have cost Michael Joseph £10 more

Soho’s slow transformation is chronicled in a new photography show

We learned more about Sicily’s stolen Caravaggio

We remembered Charles Jencks and his cosmic gardens

… and Canada’s colour photography pioneer Fred Herzog

Masterpiece of the week

Jacopo Tintoretto, Christ washing the Feet of the Disciples



Photograph: © The National Gallery, London

Christ Washing the Disciples’ Feet, c.1575-80, by Jacopo Tintoretto
Damaged and darkened by time and even partly repainted, this panoramic painting still has a smoky power and presence that stays with you. In fact it’s one of the most oddly unforgettable masterpieces in Britain. Tintoretto was a younger contemporary of Titian who took 16th-century Venetian art into new realms of mysticism. He was a far more passionate Christian than either Titian or his rival Veronese, and that intensity is what makes this brooding scene so atmospheric. Christ, the son of God, abases himself. Tintoretto paints this not as a realistic scene but a vision he is sharing with us – a sublime moment of sepulchral drama in the gathering dark.
National Gallery, London

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